Notes to a Violinist: a rare synthesis of philosophy, technique, and mentorship from one of classical music’s most respected teachers.
Available April 10, 2026
Notes to a Violinist: a rare synthesis of philosophy, technique, and mentorship from one of classical music’s most respected teachers.
Available April 10, 2026
Notes to a Violinist, the long-anticipated posthumous book by celebrated violinist and pedagogue Jan Mark Sloman (1949–2022), will be released on April 10, 2026, marking what would have been Sloman’s seventy-seventh birthday. Featuring an introduction by acclaimed violinist and conductor Jaime Laredo, the publication fulfills a project Sloman spoke about for years and reflects a lifetime devoted to teaching, artistry, and the development of young musicians at the highest level.
Praise for Notes to a Violinist
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Yo-Yo Ma, cellist
“Imagine a violin teacher who teaches to the whole child, with humor, love, using a disciplined approach to unlock imagination, fueling curiosity, while achieving measurable results, producing beautiful musicians, whose playing stirs the soul.
That teacher is my friend and colleague for over half a century, Jan Sloman. While we mourn his loss, this exceptional man leaves us with a precious gift, one that gives us access to his thinking and his magical way of teaching, a treasure resulting from decades of experience.”
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Itzhak Perlman, violinist
“I am pleased to endorse this book by Jan Sloman. I knew Jan for over 50 years, first as students together and then as colleagues and friends. The students we have shared as teachers in both our private studios and then through my summer music program have all been not only talented but beautifully prepared. They each had an intelligence about music and an understanding about how to grow as musicians that had been developed by the system of instruction Jan provided. He loved to teach and he did it so well.”
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Ida Kavafian, violinist
“My fondest memories of my 50 year friendship with Jan Sloman were when we called each other out of the blue to talk shop or ask one another for advice, usually regarding a student. We talked for hours and I trusted his wisdom, his experience and his passion for teaching. All of that and more are captured in this book. I share Jan’s philosophy of the importance of ABT (Acquisition of Big Technique) as a tool not simply to show off facility but to create the most profound and moving musical performances. Now everyone - not just his students, friends and colleagues - can enjoy the benefits of Jan’s dedication to the violin.”
What’s Inside?
Drawing on decades of teaching and professional performance, Jan Mark Sloman addresses the artistic and psychological dimensions of violin playing, highlighting the responsibilities of both teacher and student, alongside detailed instruction on fundamental techniques, scales, arpeggios, posture, and coordination.
Central to the book is Sloman’s Abbreviated Condensed Etude Sequence (ACES), published here for the first time, which identifies forty-two essential etudes selected from a much larger repertoire and organizes them into a structured framework designed to build lasting technical and artistic endurance.
Notes to a Violinist concludes with a section on repertoire progression, outlining how students can balance concurrent study of scales, etudes, and various kinds of solo repertoire, making the book both a practical manual and a lasting record of a highly lauded teaching philosophy in modern violin pedagogy.
Jaime Laredo, violinist and conductor
“I absolutely loved working with Jan. He was so devoted to the students and cared so much for them in every way. We spent hours talking about them, what they were working on, and all the problems they faced... he left a great legacy... I treasure the years that we spent teaching together as a team.”
— Excerpt from the Introduction to Notes to a Violinist, written by Jaime Laredo
About the Author
Jan Mark Sloman (1949-2022) was a highly regarded violinist and dedicated teacher whose multifaceted career reflected his passion for the violin, its ability to communicate powerfully, and his desire to develop true artistry in the students he guided. Based in Dallas, Texas, he held the position of Principal Associate Concertmaster of the Dallas Symphony Orchestra for thirty-eight years. He also performed as guest concertmaster with the Pittsburgh Symphony and with major orchestras in Italy, Switzerland, and Australia. Over the course of his career he worked with world-renowned conductors, including Carlos Kleiber, Lorin Maazel, Zubin Mehta, and Riccardo Chailly.
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